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Ukraine war: False TikTok videos draw millions of views – BBC
Ukraine war: False TikTok videos draw millions of views – BBC News
25.4.2022 — A TikTok logo displayed on a smartphone with a flag of Ukraine in the background. … TikTok has emerged as one of the leading platforms for …
Misleading videos have been viewed by millions as it struggles to deal with so much false material.
Ukraine Becomes the World’s “First TikTok War”
Ukraine Becomes the World’s “First TikTok War” | The New Yorker
3.3.2022 — The Internet-focussed podcast “The Content Mines” called the Ukraine invasion “The Most Online War of All Time Until the Next One.” Other …
Social media’s aesthetic norms are shaping how Ukrainians document the Russian invasion. Is it a new form of citizen war journalism or just an invitation to keep clicking?
Ukraine launches TikTok offensive: ‘It makes the truth more …
Ukraine launches TikTok offensive: ‘It makes the truth more attractive’ | International | EL PAÍS English Edition
23.1.2023 — In the TikTok accounts of Ukrainian soldiers, fun, light-hearted videos are mixed with gut-wrenching accounts of the war. In one video, a …
The social media platform features videos of Ukrainian soldiers fighting at the front, shooting to electronic music and even taking part in dance challenges
Remixing war: An analysis of the reimagination of the Russian …
Frontiers | Remixing war: An analysis of the reimagination of the Russian–Ukraine war on TikTok
25.1.2023 — Remixing war: An analysis of the reimagination of the Russian–Ukraine war on TikTok. Florian Primig1*, Hanna Dorottya Szabó2 and Pilar Lacasa3.
Interpretative struggles of global crises are increasingly being reflected on social media networks. TikTok is a relatively new social media platform that has achieved substantial popularity among young people in many parts of the world and is now being used to disseminate and make sense of information about the Russian invasion of Ukraine. Through a user-centered sampling approach, we collected 62 TikTok videos and conducted an in-depth qualitative analysis of them and their uploading profiles to explore how the war was being represented on the platform. Our analysis revealed a strong prevalence of remixing practices among content creators; that is, they recontextualise images, sounds and embodied self-performance within the platform-specific affordances of trends. We found that distant suffering is mediated through the emotive online self-performance of content creators, cuing their audiences toward appropriate emotional responses. Trending sounds situate videos within a singular-motif and context-diverse environment, facilitating what we theorize as affective audio networks.
Keywords: tiktok ukraine war
